✭ Goldenbook by Mark Simonson.

Goldenbook-Light, serif, titling, title-page, book

✄ flickr.com via johno

✭ Mostra by Mark Simonson.

Mostra, simonson, caps, Italian, Art-Deco

✄ flickr.com via johno

✭ Buick Super by Mark Simonson.

logotype, car, nameplate

✄ flickr.com via johno

✭ THE MAKING OF KANDAL — LetterCult

kandal, mark-simonson

✄ lettercult.com via typegirl

✭ Zanzibar | Typeface Review | Typographica

Zanzibar, Mark-Simonson, script

✄ new.typographica.org via johno

✭ Photo by Mark Simonson.

slab-serif, condensed, narrow, mark-simonson

✄ marksimonson.com via jasonsantamaria

✭ Revelation by Mark Simonson

Lettering

✄ lettercult.com via typegirl

✭ Arial’s ubiquity is not due to its beauty. It’s actually rather homely. Not that homeliness is necessarily a bad thing for a typeface. With typefaces, character and history are just as important. Arial, however, has a rather dubious history and not much character. In fact, Arial is little more than a shameless impostor. — Mark Simonson

✄ ms-studio.com via johno