My new favorite Tumblr is from Erik Kwakkel, a medieval book historian at Leiden University.
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The first book printed in Italy
During my research for an upcoming book* on the life and work of German Renaissance typographer Erhard Ratdolt, I spent quite some time looking at the introduction of printing to Italy (Ratdolt worked in Venice from 1476 to 1486, thereafter returning to his native Augsburg). The first printers in Italy […]
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Last-minute gift ideas
For Type Lovers With the holidays fast approaching, I’m sure you have it all under control. You’re smart, you planned well in advance and have already purchased your gifts, so that you’ll avoid being trampled by hordes of panicked last-minute shoppers. But just in case you haven’t, here are a […]
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It’s big, it’s 1001 pt
Happy to announce the launch of 1001 pt, a new range of A2 screen prints, with glyphs set at precisely 1001 pt. As a special offer, you can have all four prints for just $101 (including shipping to anywhere in the world).
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Drawing Line
In the spring of 2012, Stefania Malmsten became the new Creative Director of Swedish fashion & culture magazine Rodeo. Stefania was living in New York at the time, working with Swedish and American clients from the collaborative workspace Studiomates in Dumbo, Brooklyn. She had decided to move back to Sweden […]
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One Hel(vetica) of a Story
It is hard not to simply gush about Paul Shaw’s Helvetica and the New York City Subway System: The True (Maybe) Story. For a life-student and consumer of design history and culture publications, it ticks so many boxes that to ‘merely’ enjoy it is really quite easy. While there has […]
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Proza’s story
It was March 2nd, 2011, and I was fifteen-years old. I was in the clouds. My font family, Expletus Sans, had just gone live on the Google Webfonts Directory (now simply called Google Fonts). Plenty of positive feedback and a generous reward from Google had made me expect a lot […]
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Harir – Reducing Noise in Arabic Script
Our daily lives are full of noise, but when we immerse ourselves in reading, it seems to disappear. But what if the shapes of the words we read also contain perceptible noise? Does it disrupt the reading process, or do we learn to filter it out?
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Lava — Voice of a Magazine
In Spring 2012 I started working on Works That Work, a new magazine which launched in February 2013, and as strange as it may seem, one of the first things that I started working on was its typeface.
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Interview: Xavier Dupré
Xavier Dupré is a world-renowned type designer. After studying calligraphy and typography at the Scriptorium de Toulouse, France, he collaborated with Ladislas Mandel. Since then, he has established himself in Cambodia where he designs typefaces with as much freedom as possible. He appreciates Licko’s creativity, as much as the fluidity […]
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