My graphic design students love to design posters using the classic eye chart composition, and they frequently ask “What typeface should I use for this?” Not having a definitive answer has always been frustrating, so I decided to investigate to find out what typeface is used on eye charts.
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Perhaps this article should have ended at the question mark in its title. And by the end of it, you may well concur. However, in the meantime, and before I get started?—?and I promise this won’t take long?—?let me be clear, I am not, I repeat, not (in bold for […]
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Most will be familiar with the name Francesco Griffo, born in Bologna in 1450, and forever associated with the Venetian printer-publisher Aldus Manutius for whom he designed and cut roman, Greek, and the first italic fonts. Their partnership was an especially fruitful one and their collaboration at the end of […]
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In the fifteenth century women had few career opportunities. Few, bar those in the higher social classes were even sent to school, and women were not admitted to universities; Oxford university, for example, didn’t permit women to matriculate until 1920. Of medieval women, Sherrill Cohen writes that most were faced […]
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Peter Bi?ak on the process of designing his newly released Karloff typeface, demonstrating just how closely related beauty and ugliness are. Karloff explores the idea of irreconcilable differences — how two extremes could be combined into a coherent whole.
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Peter Biľak I remember a conversation from back in my student days where my typophile friends and I debated what the ultimate typeface of the twentieth century was, a typeface that summed up all of the era’s advancements and knowledge into a coherent whole, one that would be a reference […]
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We see it every day on signs, billboards, packaging, in books and magazines; in fact, you are looking at it now — the Latin alphabet, the world’s most used abc. But why do the letters look the way they do? Why, how, where, and by whom was the alphabet invented. This is the alphabet’s story.
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